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Fejos has handled his scenes with no small degree of imagination. The trend of inserting an element of macabre into American pre-horror melodramas was popular in the s.
Directors known for relying on macabre in their films during the decade were Maurice Tourneur , Rex Ingram , and Tod Browning.
Ingram's The Magician contains one of the first examples of a " mad doctor " and is said to have had a large influence on James Whale's version of Frankenstein.
Chaney played a carnival knife thrower called Alonzo the Armless and Joan Crawford as the scantily clad carnival girl he hopes to marry.
Chaney did collaborative scenes with a real-life armless double whose legs and feet were used to manipulate objects such as knives and cigarettes in frame with Chaney's upper body and face.
Pictures was the first all-talking horror film, made using the Vitaphone sound-on-disc system. The plot centered on sound, with much of the ghost's haunting taking place in vis-a-vis creepy organ music, creaky doors and howling winds.
The film was poorly received by audiences and critics. They claim that it is monotonous, slow, dragging, fatiguing and boring. Other European countries also, contributed to the genre during this period.
This is what the Criterion have to say about the film; "The last person to die on New Year's Eve before the clock strikes twelve is doomed to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.
This extraordinarily rich and innovative silent classic which inspired Ingmar Bergman to make movies is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects.
In , Danish filmmaker Benjamin Christensen created the Swedish-Danish production Häxan also known as The Witches or Witchcraft Through the Ages , a documentary-style silent horror film based partly on Christensen's study of the Malleus Maleficarum , a 15th-century German guide for inquisitors.
Häxan is a study of how superstition and the misunderstanding of diseases and mental illness could lead to the hysteria of the witch-hunts. There are shocking moments in which we witness a woman giving birth to two enormous demons, see a witches' sabbath, and endure tortures by inquisition judges.
The film also features an endless parade of demons of all shapes and sizes, some of whom look more or less human, whereas others, are almost fully animal—pigs, twisted birds, cats, and the like.
Roger Ebert included the film on his list of "Great Movies" in , calling the great hall of the film as "one of the most haunting spaces in the movies".
Il mostro di Frankenstein , one of a few Italian horror film before the late s, is now considered lost. In the s Universal Pictures continued producing films based on Gothic horror.
The studio entered a Golden Age of monster movies in the '30s, releasing a string of hit horror movies. In this decade, the studio assembled several iconic monsters in motion picture history including Dracula , Frankenstein , The Mummy , and The Invisible Man [46] Each movie starring these monsters would go on to make sequels and each of the characters would go on to cross-over with one another in a cinematic shared universe.
The films would retroactively be classified together as part of the Universal Classic Monsters series.
Universal Pictures created a monopoly on the mainstream horror film, producing stars such as Bela Lugosi and Boris Karloff , and grossing large sums of money at the box office in the process.
Not only did Universal bring the subgenre of "creature features" into the limelight, they also gave them their golden years, now reflected back on as "The Monsters Golden Era.
It was a sound remake of the studio's earlier film, The Cat and the Canary from three years ago. The film was directed by George Melford who would later direct the Spanish version of Dracula.
On 14 February , Universal Pictures premiered their first film adaptation of Dracula , the popular story of an ancient vampire who arrives in England where he preys upon a virtuous young girl.
The film was based on the stage play by Hamilton Deane and John L. Balderston , which in turn was loosely based on the classic novel by Bram Stoker.
February 's Dracula was an English-language vampire-horror film directed by Tod Browning and stars Bela Lugosi as the Count Dracula , the actor's most iconic role.
The film was generally well received by critics. Variety praised the film for its "remarkably effective background of creepy atmosphere.
Some long shots of Lugosi as the Count and some alternative takes from the English version were used in this production.
On 21 November , Universal Pictures released another hit film with Frankenstein. The story is about a scientist and his assistant who dig up corpses in the hopes to reanimated them with electricity.
The experiment goes awry when Dr. Frankenstein's assistant accidentally gives the creature a murderer's abnormal brain.
The film was directed by James Whale and stars Boris Karloff as Frankenstein's monster in one of his most iconic roles.
A hit with both audiences and critics, the film was followed by multiple sequels and along with the same year's Dracula , has become one of the most famous horror films in history.
On 21 February , Universal Pictures released a double-feature. The first one is Murders in the Rue Morgue. It stars Bela Lugosi as a lunatic scientist who abducts women and injects them with blood from his ill-tempered caged ape.
The film was loosely based on an short story by Edgar Allan Poe. Universal Pictures would release two more Poe adaptations later in the decade.
It's a mystery horror story starring Boris Karloff. Five travelers are admitted to a large foreboding old house that belongs to an extremely strange family.
The story was based on a novel by J. The film, based on an original screenplay, is about an ancient Egyptian mummy named Imhotep who is discovered by a team of archaeologists and inadvertently brought back to life through a magic scroll.
The site's consensus states: "Relying more on mood and atmosphere than the thrills typical of modern horror fare, Universal's The Mummy sets a masterful template for mummy-themed films to follow.
Make-up artist Jack Pierce was responsible for the look of the Mummy. After studying photos of ancient mummies, Pierce came up with the look bearing a resemblance to the mummy of Ramesses III.
Pierce began transforming Karloff at 11 a. Karloff finished his scenes by 2 a. Boris Karloff found the removal of gum from his face painful, and overall found the day "the most trying ordeal I [had] ever endured".
Jack Pierce would also come to design the Satanic make-up for Lugosi in the independently produced White Zombie In , after the release of The Mummy , Universal Pictures released two pictures.
The first one was in July. It was a murder-mystery film called The Secret of the Blue Room. The plot of the film is that, according to legend, the "blue room" inside a mansion is cursed.
Everyone who has ever spent the night there has met with an untimely end. Three men wager that each can survive a night in the forbidding room.
The film was directed by James Whale and stars Claude Rains as the titular character. The movie was based on a science fiction novel of the same name by H.
Wells published in The film has been described as a "nearly perfect translation of the spirit of the book". The Invisible Man is known for its clever and groundbreaking visual effects by John P.
Fulton , John J. Mescall and Frank D. Williams , whose work is often credited for the success of the film. Claude Rains was claustrophobic and it was hard to breathe through the suit.
Consequently, the work was especially difficult for him, and a double, who was somewhat shorter than Rains, was sometimes used.
It stars both Boris Karloff and Bela Lugosi. It was the first of six movies Universal Pictures paired the two iconic actors together.
The Black Cat became Universal Pictures' biggest box office hit of the year and is considered by many to be the one that created and popularized the psychological horror subgenre, emphasizing on atmosphere, eerie sounds, the darker side of the human psyche, and emotions like fear and guilt to deliver its scares, something that was not used in the horror genre before.
Although it was credited the film was based on Edgar Allan Poe 's classic short story , the film actually has little to do with Poe's story.
In the film, American honeymooners in Hungary become trapped in the home of a Satan-worshiping priest when the bride is taken there for medical help following a road accident.
The film exploited a sudden public interest in psychiatry. In , Universal Pictures released four pictures from February to July.
The story revolves around an opium-addicted choirmaster who develops an obsession for a beautiful young girl and will not stop short of murder in order to have her.
The film was based on the final novel by Charles Dickens in In April , Bride of Frankenstein premiered. It is widely regarded as one of the greatest sequels in cinematic history, with many fans and critics considering it to be an improvement on the original film.
In the film, Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate, often referred to as the Monster's Bride.
Makeup artist Jack Pierce returned to create the makeup for the Monster and his Bride. Over the course of filming, Pierce modified the Monster's makeup to indicate that the Monster's injuries were healing as the film progressed.
Actress Elsa Lanchester portrayed the Monster's Bride. The bride's conical hairdo, with its white lightning-trace streaks on each side, has become an iconic symbol of both the character and the film.
A month after the release of Bride of Frankenstein , Universal Pictures premiered the influential werewolf movie Werewolf of London , the first Hollywood mainstream movie to feature a werewolf , a creature of folklore who shape-shifts from a human into a wolf.
The film stars Henry Hull as the titular character. In the movie, he is a botanist who gets attacked by a strange animal.
The bite causes him to turn into a bloodthirsty monster. Jack Pierce created the make-up for the creature. Screenwriter and journalist Frank Nugent , writing for The New York Times , thought the film was "designed solely to amaze and horrify.
Granting that the central idea has been used before, the picture still rates the attention of action-and-horror enthusiasts. The film was The Raven.
The film was not actually a direct adaptation of the classic poem , but rather inspired from it. In the film, a brilliant surgeon, played by Bela Lugosi, is obsessed with the writer Edgar Allan Poe.
He saves the life of a beautiful dancer but goes mad when he can't have her. Meanwhile, Boris Karloff plays a fugitive murderer on the run from the police.
The film did not do particularly well at the box office during its initial release, and indirectly led to a temporary ban on horror films in England.
At the time, it was beginning to look like the horror genre was no longer economically viable, and paired with the strict production code of the era, American filmmakers struggled to make creative works on screen, and horror eventually went out of vogue.
This proved a devastating development at the time for Lugosi, who found himself losing work and struggling to support his family. Universal Pictures changed ownership in , and the new management was less interested in the macabre.
In , Universal Pictures continued to make films for the series. In January, the studio premiered the science fiction melodrama The Invisible Ray.
The film pairs Bela Lugosi and Boris Karloff a third time. In the film, a scientist creates a telescope-like device that captures light waves from the Andromeda Galaxy, giving him a way to view the distant past.
He and several colleagues go to Africa to locate a large, unusual meteorite that the light-waves showed fell there a billion years earlier.
After discovering that the meteorite is composed of a poisonous unknown element, "Radium X", he begins to glow in the dark, and his touch becomes deadly.
These radiation effects also begin to slowly drive him mad. Critics noted the tone of the film to be somber, dignified, and tragic.
The Invisible Ray is a morality play, particularly given the film's final lines of dialog, uttered nine years before the events of Hiroshima and Nagasaki , by Madame Rukh: "My son, you have broken the first law of science Janos Rukh is dead, but part of him will go on to eternity, working for humanity".
In May , Universal Pictures released a sequel to 's Dracula. The film was called Dracula's Daughter and stars Gloria Holden in the title role.
Dracula's Daughter doesn't feature Bela Lugosi or his character, but instead tells the story of Countess Marya Zaleska, the daughter of Count Dracula and herself a vampire.
Following Dracula's death, she believes that by destroying his body she will be free of his influence and live normally.
When this fails, she turns to a psychiatrist, played by Otto Kruger. The Countess kidnaps Janet and takes her to Transylvania, leading to a battle between Dr.
Garth and the Countess. While not as successful as the original upon its release, the film was generally well-reviewed.
In the intervening decades, criticism has been deeply divided. Contemporary critics and scholars have noted the film's strong lesbian overtones, which Universal acknowledged from the start of production and exploited in some early advertising.
Universal would completed their initial Dracula trilogy seven years later with Son of Dracula. In , Universal Pictures only released one film in the series.
The film was Night Key , a science fiction crime thriller starring Boris Karloff. In Night Key , Karloff plays an elderly inventor of a burglar alarm who attempts to get back at the man who stole the profits to his invention.
Later, his device is then subverted by gangsters who threatens him and use his own device to facilitate burglaries.
Letterboxd users call the film "a delightfully corny, old-fashioned thriller". In , Universal Pictures did not release any film related to horror, thriller, or science fiction.
Instead, they made re-releases of their previous Dracula and Frankenstein films. It was only in January , a full year and a half after the release of Night Key that the studio continued putting out original horror movies.
It stars Bela Lugosi as a mad scientist who attempts to rule the world by creating various elaborate inventions. In a dramatic fashion, foreign agents and G-Men government men try to seize the inventions for themselves.
A minute feature film version of the film, cut down from the serial's original minutes, was released for television ten years later.
The Phantom Creeps was Universal Pictures' th serial and 44th to have sound. The innovation of the scrolling text version of the synopsis at the beginning of each chapter was used for the Star Wars films as the "Star Wars opening crawl".
On 13 January , Universal Pictures released Son of Frankenstein , the third entry in the studio's Frankenstein series and the last to feature Boris Karloff as the Monster.
It is also the first to feature Bela Lugosi as Ygor. Son of Frankenstein was a reaction to the popular re-releases of Dracula and Frankenstein as double-features in In the film, one of the sons of Frankenstein finds his father's monster in a coma and revives him, only to find out he is controlled by Ygor who is bent on revenge.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein , in which the studio cast both stars Lugosi and Karloff again for the fourth time.
In November , Universal Pictures released their last horror film of the s with the historical and quasi-horror film, Tower of London.
Vincent Price , in only his third film, appears as George, Duke of Clarence. Tower of London is based on the traditional depiction of Richard rising to become King of England in by eliminating everyone ahead of him.
Each time Richard accomplishes a murder, he removes one figurine from a dollhouse resembling a throne room. Once he has completed his task, he now needs to defeat the exiled Henry Tudor to retain the throne.
Other studios followed Universal's lead. MGM 's controversial Freaks frightened audiences at the time, featuring characters played by people who had real deformities,.
The studio even disowned the film, and it remained banned in the United Kingdom, for 30 years. Hyde is remembered for its innovative use of photographic filters to create Jekyll's transformation before the camera.
With the progression of the genre, actors like Boris Karloff and Bela Lugosi were beginning to build entire careers in horror. Early in the decade also, Danish director Carl Theodor Dreyer created the horror fantasy film Vampyr based on elements from J.
The German-produced sound film tells the story of Allan Gray, a student of the occult who enters a village under the curse of a vampire.
According to the book Movies You Must See Before You Die , Vampyr' s "greatness derives partly from Dreyer's handling of the vampire theme in terms of sexuality and eroticism, and partly from its highly distinctive, dreamy look.
Despite the success of The Wolf Man , by the s, Universal's monster movie formula was growing stale, as evidenced by desperate sequels and ensemble films with multiple monsters.
Eventually, the studio resorted to comedy-horror pairings, like Abbott and Costello Meet Frankenstein , which met with some success.
In the year , Universal Pictures released three movies. In January, the Vincent Price -starring The Invisible Man Returns premieres in theaters to commercial success despite its production being plagued with problems.
In September, The Mummy's Hand was released. Although it is sometimes claimed by fans as a sequel or follow-up to The Mummy , it does not continue the film's storyline, or feature any of the same characters.
At the film's release, film critic Bosley Crowther wrote for The New York Times , "It's the usual mumbo-jumbo of secret tombs in crumbling temples and salacious old high priests guarding them against the incursions of an archaeological expedition".
In December, The Invisible Woman was released. It is the third film in the Invisible Man film series. This film was more of a screwball comedy than other films in the series thus is considered a comedy more than a horror film.
The film stars Virginia Bruce in the lead role and the aging John Barrymore in a supporting role. Reviews from critics were mixed.
The propaganda war-horror Invisible Agent , which featured a mad scientist working in secret to aid the Third Reich , and 's The Invisible Man's Revenge.
In , Universal Pictures released a reboot of sort to the studio's werewolf picture Werewolf of London which starred noted character actor Henry Hull in a quite different and more subtle werewolf makeup.
The character of Larry Talbot aka The Wolf Man is considered one of the best classic monsters in the series. The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf.
The decade also sees the continuation of Universal Pictures ' consistent releases of horror, suspense and science fiction films.
This comes to be later known as the cult classic Universal Classic Monsters series which began in the s and would later dissipate in the s.
In this decade Lon Chaney Jr. Paramount Pictures also made horror films in the s, the most popular of which is The Uninvited.
The film has been noted by contemporary film scholars as being the first film in history to portray ghosts as legitimate entities rather than illusions or misunderstandings played for comedy.
It depicts various supernatural phenomena, including disembodied voices, apparitions, and possession. MGM 's best horror genre contribution of the s would be Albert Lewin 's The Picture of Dorian Gray , which was popularly known for its interesting use of color insert to show Dorian's haunting portrait.
In , Great Britain contributed the anthology horror film Dead of Night. In the film house guests tell at least five supernatural tales, the last of which being the most remembered.
The film's last story, titled The Ventriloquist's Dummy features a ventriloquist tormented by a malevolent puppet. The popularity of movie genres of the s were mostly film noir , melodrama and mystery.
It would then arguably be a stretch to point out that some mystery and thriller films can be considered horror genre contributions of the decade.
Wes Anderson ranked it as the sixth best British film. With advances in technology, the tone of horror films shifted from the Gothic towards contemporary concerns.
A popular horror subgenre began to emerge: the Doomsday film. It is considered to be the most popular and most paranoid films from the golden age of American sci-fi cinema.
In the s, television had arrived and the theatrical market was changing. Producers and exhibitors found new, exciting and enticing ways to keep audiences in theaters.
This is how Hollywood directors and producers found ample opportunity for audience exploitation through gimmicks. The years through is considered the "Golden Era" of 3-D movies.
In a three-dimensional stereoscopic film , the audience's brains are tricked into believing the images projected onto a flat cinema screen are coming to life in full three-dimensional glory.
Those who came to see a 3-D movie inside a theater were given the familiar disposable cardboard anaglyph 3D glasses to wear which will allow them to see the images come to life.
In April , Warner Bros. The film, which stars Vincent Price , tells a story of a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated corpses as displays.
House of Wax was the film that typecast Price as a horror icon. After the release of that film, Price would be labeled the "King of 3-D" and would later become the actor to star in the most 3D features.
The success of these two films proved that major studios now had a method of getting film-goers back into theaters and away from television sets, which were causing a steady decline in attendance.
Aside from 3-D technology, different forms of promotional gimmicks were used to entice film-goers into seeing the films in theaters.
One great example is during the screening of 's The Lost Missile , a science fiction film in which scientists try to stop a mysterious missile from destroying the Earth.
Audiences who saw the film in theaters were given "shock tags" to monitor their vitals during the movie.
They were promised that anyone who would get shocked into a comatose state by the film would get a free ride home in a limousine. Film director and producer William Castle is considered the King of the film gimmick.
After directing a cavalcade of B movies low-budget commercial films for Columbia Pictures in the s, Castle set out on the independent route.
This kind of promotional gimmick would later make him famous. Throughout the promotion of this film, Castle explained that through EMERGO, "ghosts and skeletons leave the screen and wander throughout the audience, roam around and go back to the screen".
Of course, in actuality, a skeleton with glowing red eyes was attached to wires above the theater in order to swoop in and float above audience members' heads to parallel the action on the screen.
In the film, Price breaks the fourth wall and warns the audience that the tingler is in the theater which then prompts the built-in electric buzzers to scare audiences in their theater seats.
The s is also well known for creature feature or giant monster movies. These are usually disaster films that focuses on a group of characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones.
The monster is often created by a folly of mankind — an experiment gone wrong, the effects of radiation or the destruction of habitat.
The monster can also be from outer space, or has been on Earth for a long time with no one ever seeing it, or released or awakened from a prison of some sort where it was being held.
In monster movies, the monster is usually a villain, but can be a metaphor of humankind's continuous destruction. Warner Bros. It then begins to wreak a path of destruction as it travels southward, eventually arriving at its ancient spawning grounds, which includes New York City.
The film is also remembered for its influential stop motion model animation created by visual effects creator Ray Harryhausen. One of the best movies during these years was Night of the Demon Ray Harryhausen created his own form of stop motion model animation called Dynamation.
It involved photographing a miniature against a rear-projection screen through a partly masked pane of glass. The masked portion would then be re-exposed to insert foreground elements from the live footage.
The effect was to make the creature appear to move in the midst of live action. It could now be seen walking behind a live tree, or be viewed in the middle distance over the shoulder of a live actor — effects difficult to achieve before.
That scene spurred on numerous homages in many horror films [87] in subsequent years including 's A Nightmare on Elm Street 3: Dream Warriors , 's Army of Darkness and 's Game of Thrones ' Season 4 episode entitled The Children.
Japan's experience with Hiroshima and Nagasaki bore the well-known Godzilla and its many sequels , featuring mutation from the effects of nuclear radiation.
This kickstarted the tokusatsu trend known as Kaiju films , a Japanese film genre that features giant monsters, usually attacking major cities and engaging the military and other monsters in battle.
Other films in this genre that isn't about Godzilla include Rodan and The Mysterians These include Ghost-Cat of Gojusan-Tsugi , and Black Cat Mansion , which tells a story of a samurai tormented by a cat possessed by the spirits of the people she killed.
Filmmakers continued to merge elements of science fiction and horror over the following decades. The Fly is a American science fiction-horror film starring Vincent Price.
The film tells the story of a scientist who is transformed into a grotesque creature after a common house fly enters unseen into a molecular transporter he is experimenting with, resulting in his atoms being combined with those of the insect, which produces a human-fly hybrid.
It was followed by two black-and-white sequels, Return of the Fly and Curse of the Fly The original film was remade in by director David Cronenberg.
Considered a "pulp masterpiece" [89] of the s was The Incredible Shrinking Man , based on Richard Matheson 's existentialist novel.
The film tells the story of a man, who after getting exposed to a radioactive cloud, gets shrunk in height by several inches.
The film conveyed the fears of living in the Atomic Age and the terror of social alienation. It won the first Hugo Award for Best Dramatic Presentation and was named in to the National Film Registry by the Library of Congress for being "culturally, historically or aesthetically" significant.
The independently produced sci-fi film Attack of the 50 Foot Woman was made in The storyline concerns the plight of a wealthy heiress whose close encounter with an enormous alien causes her to grow into a giantess, complicating her marriage already troubled by a philandering husband.
The film has become a cult classic and is often referenced in popular culture. The United Kingdom began to emerge as a major producer of horror films around this time.
Christopher Lee starred in a number of Hammer Horror films, including The Curse of Frankenstein , which Professor Patricia MacCormac called the "first really gory horror film, showing blood and guts in colour".
Horror has been a mainstay of television programming since the s. In the book TV Horror: Investigating the Dark Side of the Small Screen , observed that television has helped shape many generations of horror fans and filmmakers because it provided them their first exposure to cinematic horror as children cowering behind their sofa or peering out from under their blanket [97] In the s, multiple anthology series that feature suspenseful horror stories were broadcast on television.
The Veil is one notable anthology series that starred Boris Karloff as the horror host and characters in the episodes. Ten of the 12 episodes begin and end with Karloff standing in front of a roaring fireplace and inviting viewers to find out what lies "behind the veil".
Hailed by critics as "the greatest television series never seen", The Veil was never broadcast. Troubles within the studio resulted in production being cancelled after only 10 episodes were produced.
The number of episodes was considered to be too small to justify sale to a network or to syndication. Ten episodes were released to the public in their entirety for the first time in the s, and have subsequently been released on DVD by Something Weird Video.
Premiered in October is the anthology series Alfred Hitchcock Presents which featured dramas, thrillers, mysteries. It was created, hosted, and produced by Alfred Hitchcock , who by had already directed films for over three decades.
Some of the stories in the show were original, some adaptations of writers like H. Wells , and always had knotty twists and often came to macabre endings, as in the 4 December episode "The Case of Mr.
Pelham," in which a businessman is stalked by a perfect double who usurps his life and drives him insane.
The Twilight Zone — has become a staple in horror fiction since its premiere in October Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror.
The phrase "twilight zone," is used today to describe surreal experiences. An iconic episode which premiered on 20 November is Time Enough at Last which tells the story of a bank teller who yearns for more time to read and gets his wish when he becomes the sole survivor of a nuclear holocaust.
Other notable horror anthologies in the s include The Vampira Show , which was presented by Maila Nurmi , considered to be television's first horror host , dressed as her iconic campy Vampira character, and 13 Demon Street , which was hosted by Lon Chaney Jr.
Released in May , the British psychological horror thriller film , Peeping Tom by Michael Powell , is a progenitor of the contemporary " slasher film ", [] though Alfred Hitchcock cemented the subgenre with Psycho released also in the same year.
Instead, he helped pioneer the art of psychological suspense. As a result, he managed to frighten his viewers by getting to the root of their deepest fears.
France continued the mad scientist theme with the film Eyes Without a Face The story follows Parisian police in search of the culprit responsible for the deaths of young women whose faces have been mutilated.
Meanwhile, Italian horror films became internationally notable thanks to Mario Bava 's contributions.
In this film, Bava turned a Russian folk legend into a beguiling fairly tale about a young doctor who finds himself stranded in a haunted community and falls for a woman whose body become possessed by a woman executed for witchcraft.
In the United States, gimmicks continued to be used to entice film-goers into theaters. William Castle 's horror film 13 Ghosts was shot in " Illusion-O ", where audiences were given a "supernatural viewer" that they could wear to see hidden ghosts in the film.
They will need to search the house to find the doctor's fortune, but along with the property they have also inherited the occultist's collection of thirteen ghosts.
In , Castle made Mr. It tells the story of a man whose face becomes frozen in a horrifying grin while robbing his father's grave to obtain a winning lottery ticket.
During the promotion of the film, Castle introduced the "punishment poll" where the audiences decide what happens to Mr.
Sardonicus in the film. All they had to do was hold up a "thumbs up" ballot if they wanted Mr. Sardonicus go free or "thumbs down" if they want to punish him.
Supposedly no audience ever voted for life over death, so the film continues as if the audience's majority verdict was seriously counted.
A "fright break" was featured during the film where the audiences are shown a timer over the terrifying climax. The audiences who are too frightened to see the end of the film are given 25 seconds to walk out of the theater and into the "coward's corner" where they could get a full refund of their ticket and a free blood pressure test.
Before you could see the film inside the theaters, you had to pass a 13 question test that included such questions as " Did you ever do anything seriously wrong for which you felt little or no guilt?
If audiences failed any of the questions they wouldn't be allowed inside the theater. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising.
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Horror 1. Insidious trailer analysis 2.
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