Big Eyes Film Film-Bewertung
Nach der Heirat mit dem Kunstliebhaber Walter Keane beginnt die schüchterne Margaret zu malen. Ihr Mann liebt ihre Bilder und beginnt, sie geschickt zu vermarkten - allerdings gibt er sich selbst als der Schöpfer der Kunstwerke aus. Schon bald. Big Eyes ist ein US-amerikanischer Kinofilm von Tim Burton aus dem Jahr Nach der Premiere am Dezember in New York kam der Film am Zunächst wollte Burton den Film lediglich produzieren und die Regie dem Autoren-Duo Scott Alexander und Larry Karaszewski überlassen. Letztere hatten mit "Ed. Big Eyes ist eine gefällige, aber letzten Endes auch unaufgeregte filmische Biographie, die zwar die Geschichte von Margaret Keane adäquat erzählt, aber nur. Big Eyes ein Film von Tim Burton mit Amy Adams, Christoph Waltz. Inhaltsangabe: Margaret (Amy Adams) ist eine Künstlerin, deren Werke hohen. “Big Eyes” (), ein Film von Tim Burton, mit Amy Adams und Christoph Waltz. Nach vielen Jahren im Big Budget Kino machte Robbins mal wieder was. In Tim Burtons zweitem biographischen Film Big Eyes wird aus dem Leben des amerikanischen Künstler-Pärchens Walter und Margaret Keane berichtet, die für.
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Danny Huston. Aprilabgerufen am Vice - Der zweite Mann. American Splendor. Der Mondmann. Community-Kritiken zu Big Eyes. Margaret Amy Adams verlässt Petra Schmidt Schaller Mann. Denn Filmgruftie Tim Burton erzählt eine unglaublich wahre Geschichte, die seinen üblichen visuellen Firlefanz, den ich allerdings sehr schätze, gar nicht mal benötigt. Big Eyes Film Aktuell im Streaming:
Produktionsjahr Michael S. September Leider hat die Registrierung nicht funktioniert. Tracy Reed Basterds. Nutzer haben kommentiert. Altri progetti Wikiquote. Won 1 Golden Globe. January 11, Fall TV January 15, At a party, Walter is angered after reading John Canaday Juno Film scathing review of Stephen Strange Tomorrow Forever exhibit and confronts Canaday. February 21, Clear your history. Rick Heinrichs. I liked the Adam Und Evelyn scene near the end. Bitte wähle deine Anzeigename. Your browser does not support HTML5 video. Margarete Amy Adams fühlt sich unverstanden. User folgen Follower Lies Pfeifendeckel 4 Kritiken. Ähnliche Filme. Trending: Meist diskutierte Filme. Fazit: Big Eyes bleibt eine kurzweilige Gerichts-Komödie wo leider der Appleseed fehlt. Scott Alexander. Produktionsjahr Barclay Hope.
Big Eyes - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | tempus-euneg.eu Tim Burton, Meister des skurrilen, visionären Kinos mit Faible für ungewöhnliche Stoffe, bringt sein nächstes Drama auf die Leinwand: "Big Eyes". But Walter's actually selling her paintings as his own. A clash of financial success and critical failure soon sends Margaret reeling in her life of lies.
With Walter still living the high life, Margaret's going to have to try making it on her own again and re-claiming her name and her paintings.
Written by Anne Campbell. The Warhol quote is making fun of its ghastliness and the invisible hand of the market. An odd choice to start on by mocking its own subject.
As well I sense a subconscious undercurrent reflecting his own brand. But the key to Tim Burton has always been Disney not Gothic.
Here is finally a proper Gothic work in being everything but, with its colorful San Francisco and Hawaii; Waltz through structures of mental control, abuse in power, serial plagiarizing, is a Gothic monster.
There would be inheritances in stories like this. But it's about speech as well and how if you don't say it it'll never be said, begging the tragedy how painting isn't enough.
Her eyes don't just see but can't not see. They gaze the heightened details of the world. Then would be susceptible to larger than life psychologies which would entice her in love.
A Gothic torture how love controls her. Then when images can't be hers, she chooses numbers. Numerology in the pop 60s make her almost a chosen one for backing the zeitgeist: late 20th century advanced statistics would forecast and streamline every single industry.
Her drawings very much forecasted the medium of anime, which rivals all of world cinema. By her own devices left unchecked might've lead to some great garage start-up, Mac, PC In all seriousness societal mechanics denying her ability to grow in art reminds me of Burton himself trapped in the machine of his brand.
Its elements fuse a true fright. Usually, a woman so pretty would not be a Tim Burton outsider but the spark of her ghoulish secret drawings make her as him.
The whole film is about these demonic traumatized orphans happening in its background. A battlefield seems to be the anger as the commodification of western privilege.
But against the abstract expressionist backdrop it's a valid contrary. Most beautiful is it's this Tim Burton art film where performers are allowed to act not pose, even though it abuses green screen its artifice you could say is Warholian at least Looking for some great streaming picks?
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Alternate Versions. Rate This. A drama about the awakening of painter Margaret Keane , her phenomenal success in the s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the s.
Director: Tim Burton. Writers: Scott Alexander , Larry Karaszewski. Added to Watchlist. From metacritic. While creating portraits at an outdoor art show, Margaret meets Walter Keane , who is selling his Parisian street scene paintings.
Soon, Walter proposes to her and they marry. Walter goes to a popular jazz club the hungry i and tries to convince the club's owner, Enrico Banducci , to purchase the couple's paintings.
He only agrees to rent out the walls to Walter. A drunk woman is touched by one of Margaret's paintings and buys it. Walter fights with Banducci and ends up on the front page of the local newspaper.
When Walter goes to the club again it is packed with curious people. Dick Nolan, a celebrity gossip columnist who serves as the film's narrator , wants to know more about Walter's art, but is only interested in Margaret's paintings.
Afterward, Walter shows Margaret all the money they have made from the sales. He tells her they are a great team: she can stay at home painting and he will sell her works.
Walter opens up his own Keane gallery, promoting the art as his own work, and sells reproductions. Margaret, however, is upset about Walter taking credit for her art, and feels guilty about lying to Jane about who is the real artist.
Margaret decides to paint in a different style with elongated features and small eyes, so that she can honestly tell people she is also a painter.
Margaret and Walter move into a mansion. While going through a crate Margaret finds a stack of paintings of Parisian street scenes, but they are all signed by S.
She realizes Walter paints over the name of the original artist and claims the paintings as his own. When Margaret confronts Walter, he says he always wanted to be an artist, but never had the talent.
Walter learns of the New York World's Fair and demands Margaret paint something to put on display; she refuses and Walter threatens to have her killed.
Jane discovers her mother working on the World's Fair painting Tomorrow Forever. Jane tells her mother she always knew that she was the real artist.
At a party, Walter is angered after reading John Canaday 's scathing review of the Tomorrow Forever exhibit and confronts Canaday.
Back at home, Walter starts drunkenly throwing lit matches at Margaret and Jane. They run into the studio and lock the door, but Walter nearly sets the house on fire.
Margaret runs away with Jane. One year later, Margaret and Jane have settled in Honolulu , Hawaii.
Walter will not agree to a divorce unless Margaret signs over the rights to every painting, and produces more. Margaret agrees and continues sending paintings to California.
Margaret is visited by two Jehovah's Witnesses who convince her that honesty is important. On a Hawaiian radio show, Margaret reveals she is the real artist behind the paintings attributed to Walter, making national news.
Nolan publishes Walter's claims that Margaret has "gone nuts". Margaret sues both Walter and the newspapers that printed his version of the story for libel and slander.
At the trial, reporters swarm the courthouse in Honolulu. The judge immediately rules that Margaret's statements in the press have contributed to the public idea that Walter has painted the paintings, and as such dismisses the libel lawsuit against the newspapers.
Since the libel suit only concerned the newspaper and its lawyers, Walter is left to defend himself against slander, even cross-examining himself as a "witness".
The judge directs both Margaret and Walter to create a painting in one hour to prove who is the real artist.
Margaret paints steadily, but Walter is hesitant, claiming his arm hurts too much to hold a paintbrush. Margaret completes her painting and wins the lawsuit.
Outside the courthouse, Margaret says she doesn't care about money and just wants credit for her paintings.
A fan asks her to sign a copy of Tomorrow's Masters and she does, finally autographing her own work. The end credits then state that Margaret later retired in life and opened an art gallery, while Walter continued with his claim that he was the true artist but never produced anything to back this, and eventually died bitter and penniless.
In September , it was announced that Tim Burton had also become involved as producer for the film. Filming began in July Big Eyes is Burton's first film since Edward Scissorhands to be edited by someone other than Chris Lebenzon , who had other commitments with Maleficent the same year.
It was reported in November that singer Lana Del Rey would contribute with two original songs to the soundtrack.
The songs "Big Eyes" and "I Can Fly", which Lana Del Rey wrote and performed, were leaked in December ; the soundtrack album and both songs were officially released on December 23, The site's consensus reads: "Well-acted, thought-provoking, and a refreshing change of pace for Tim Burton, Big Eyes works both as a biopic and as a timelessly relevant piece of social commentary".
The Philadelphia Inquirer ' s Steven Rea awarded the film three-and-a-half stars out of four, praising Adams' and Waltz's performances and the film's themes.
From Wikipedia, the free encyclopedia. This article is about the film. Theatrical release poster. Release date. Running time.
British Board of Film Classification. December 10, Retrieved December 10, The Numbers. Box Office Mojo.
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