The Love Witch ist ein erschienener US-amerikanischer Film von Anna Biller. Inhaltsverzeichnis. 1 Handlung; 2 Produktion; 3 Rezeption. The Love Witch ist eine Horrorkomödie im Stil älterer Hollywood-Filme. Der Film folgt einer jungen Hexe, deren Kräfte Männer in den Tod stürzen, die ihr. The Love Witch ist ein erschienener US-amerikanischer Film von Anna Biller.

The Love Witch Schauspielerinnen und Schauspieler

The Love Witch ist ein erschienener US-amerikanischer Film von Anna Biller. The Love Witch ist ein erschienener US-amerikanischer Film von Anna Biller. Inhaltsverzeichnis. 1 Handlung; 2 Produktion; 3 Rezeption. tempus-euneg.eu - Kaufen Sie The Love Witch (THE LOVE WITCH - DVD -, Spanien Import, siehe Details für Sprachen) günstig ein. Qualifizierte Bestellungen werden. The Love Witch ist eine Horrorkomödie im Stil älterer Hollywood-Filme. Der Film folgt einer jungen Hexe, deren Kräfte Männer in den Tod stürzen, die ihr. Elaine, eine junge und schöne Hexe, ist entschlossen einen Mann zu finden. In ihrem gothisch-viktorianischen Apartment mixt sie dafür Tränke und sagt. Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment she makes spells and potions, and then picks up men​. The Love Witch. Anna Biller US · ' · englische OF · Tirolpremiere · 35mm​-Projektion. Fr –

The Love Witch. Anna Biller US · ' · englische OF · Tirolpremiere · 35mm​-Projektion. Fr – The Love Witch ist ein erschienener US-amerikanischer Film von Anna Biller. The Love Witch ist ein erschienener US-amerikanischer Film von Anna Biller. Inhaltsverzeichnis. 1 Handlung; 2 Produktion; 3 Rezeption.

I reached out to filmmaker Anna Biller to talk to her about her interest in the occult, her cinematic influences, gender polarity, and the odd cases of synchronicity that popped up during her production.

It really looked like you did your homework. Anna Biller: I tried to do the kind of research that someone would do if they were going to be initiated as a witch.

At one point, I thought of actually becoming an initiate! It was very time-consuming to do all that reading, and it took me a much longer time to write the script because I kept wanting to know more and needed more for the story.

Was there any particular occult tradition that you drew the most inspiration from, or were you inspired by a mix of different practices?

It was a little bit from multiple sources, but mainly it was Janet and Stewart Farrar, the Gardnerians , and a little bit of Alex Sanders. Were you able to observe or take part of any rituals as part of your research for the movie?

There are a lot of witches in Los Angeles, where I live, and I knew some witches already. I also ended up casting a number of real witches as witches without realizing they were witches.

I was just casting them to be extras in the coven scenes. But it turns out that a lot of them were also actual practicing witches! One of the things that struck me about your film was the extraordinary set design.

The fact that one person wrote, shot, and designed this film boggles the mind. That was important to me, to get the design to feel occult.

The idea was that her apartment was originally owned by another witch, so she would have dictated what the design would be. There are people who have whole apothecaries in their houses!

My house is full of stuff for art-making, so I made a lot of the art in the spirit which I always make stuff for my films. It was really fun for me to make soaps, candles , little herb bags, voodoo dolls, and the rugs.

That feels magical. I felt like part of being a witch is crafting your own objects, crafting your tools. Just the way they talk about glamours and using sex as a form of manipulation felt very LaVey.

How did you buy your ticket? View All Videos 1. View All Photos Movie Info. Elaine Samantha Robinson , a beautiful young witch, is determined to find a man to love her.

In her gothic Victorian apartment she makes spells and potions, then picks up men and seduces them. However, her spells work too well, and she ends up with a string of hapless victims.

When she at last meets the man of her dreams, her desperation to be loved drives her to the brink of insanity and murder.

Anna Biller. Feb 3, Anna Biller Productions. Samantha Robinson Elaine. Gian Keys Griff. Laura Waddell Trish. Jeffrey Vincent Parise Wayne.

Jared Sanford Gahan. Robert Seeley Richard. Jennifer Ingrum Barbara. Randy Evans Steve. Clive Ashborn Professor King.

Lily Holleman Miss Curtis. Anna Biller Director. Anna Biller Screenwriter. Anna Biller Producer. Jared Sanford Executive Producer. David Mullen Cinematographer.

Anna Biller Film Editor. Anna Biller Original Music. Anna Biller Production Design. Anna Biller Costume Designer. January 27, Rating: 3.

April 19, Rating: 4. July 24, Full Review…. June 4, Rating: 3. November 2, Rating: 4. View All Critic Reviews Feb 22, Anna Biller's stirring homage to the 60's riles up a poignant debate over sex and witchcraft in modern feminism.

I did find it a little uneasy in places, but I wouldn't go as far as to call it a horror film, as I feel it takes more than a witch and a couple of deaths here and there to be classed as a horror film.

Nonetheless, the film poses some good ideas and is one of the most unique efforts of horror film making I've seen since Ti West's vintage flick The House of the Devil or the Rob Zombie film Lords of Salem, that both managed to recapture that 60's witchy, satanic panic vibe.

Harry W Super Reviewer. Jan 05, Quentin Tarantino, Martin Scorsese, Terrence Malick, and, not kidding, Sofia Coppola make films you can peg as theirs within the opening frames.

By that standard, Anna Biller would be an auteur's auteur, because she does almost everything - writes, directs, produces, edits, paints the art on the walls I mean everything!

It's all in service of a very specific aesthetic hearkening back to the Technicolor thrillers and dramas of the 60s and 70s. There's a little bit of Hammer horror, Russ Meyer kitsch, and Radley Metzler erotica thrown into the mix, but with a more modern feminist twist.

Nothing in her films resembles real life, and it's strictly intentional. Ross Hunter, who produced the types of artificial melodramas Biller most likely emulates as well, once famously said, "The way life looks in my pictures is how I want life to be.

I don't want to hold a mirror up to life as it is". It's the story of Elaine Samantha Robinson , a witch who seeks true love, but her potions keep leading to disastrous consequences.

She moves into a Victorian boarding house in Eureka, California, and if weren't for the presence of cell phones and computers, you'd swear it was set in the 60s.

When Elaine drives, Biller and her master cinematographer, M. The costumes, makeup, music, hair, high key lighting and sets evoke a candy-colored dream land.

Elaine fills her world with erotic paintings and tiered cake trays filled with an endless array of desserts. She frequents a female-only cafe where the customers sip on tea and listen to the stylings of a harpist.

She finds friendship with Trish Laura Waddell , a married woman who disagrees with Elaine, who espouses using "womanly wiles" to satisfy her men.

Trish has more of a feminist bent, but seems the unhappier of the two. Elaine finds her power by looking and acting the way men expect of women, but turns the tables on them once she has them in her grips.

It's as if she subjugates herself to the patriarchy, but her instincts can't help but snuff it out. A little warning.

It's a little too slow at times and could have benefited with fewer minutes, but part of me wanted to just watch this movie forever. The actors play the material with the utmost of sincerity.

While some would use this examination to make Elaine a perfectly innocent character, Biller digs a bit deeper. When we see Elaine at the beginning of the film she is already a murderer.

Witchcraft is a way for Elaine to reclaim her power, to no longer be the victim, but to be the predatory figure herself. It felt refreshing to have the darkness of love be turned into something so toxically cathartic.

Biller wants to allow the witch to be a villain, but not just in a jaded woman kind of way. Rather, she accomplishes this by showing how Elaine has been hungry for true love, yet also taught to fear attachment.

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Als Elaine den Literaturprofessor Wayne kennenlernt, vergucken sich beide ineinander und fahren zu Waynes Waldhütte. Samantha Robinson. Deine Bewertung. Elaine verabreicht ihm einen Drink mit Halluzinogenen , ehe die beiden zum Geschlechtsakt kommen. Black Mirror: Season 5. Running time. The Love Witch is sweet and provocative, proving an entertaining tribute to the films of the 60's and 70's, with Greys Anatomy Movie4k performances and meticulous detail from multi-tasking director Anna Biller. Harry W Super Reviewer. The Undoing. Anchorman – Die Legende Kehrt Zurück Love Witch Video. Film Comment. The website's critical consensus reads: " The Love Witch offers an absorbing visual homage to a bygone era, 1900 (Film) subtly in service of a thought-provoking meditation on the battle of the sexes. Anna Biller. Forgot your password? Best Horror Movies. Oscar Goff. June 4, Rating: 3. Retrieved June 26, — via Blogspot.

The Love Witch Aktuell im Streaming:

Your feedback helps us to make CeDe. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Als Elaine zurückkehrt, versucht sie Trish umzubringen, die sich Vox Now Automobil und zusammen mit einer Voodoo -Puppe von Richard fliehen kann. Helena Fürst Kämpferin Aus Leidenschaft Spielfilm wurde auf mm-Film gedreht. David Mullenauf die Reproduktion älterer Filmstile und -ästhetiken spezialisiert. Compare versions. Hauptseite Themenportale Zufälliger Artikel. Write a review Thumbs up or thumbs down? Die deutsche Erstaufführung fand am In ihrer Wohnung erwidert er aber nicht mehr ihre Liebe und Elaine Es 2019 Fsk ihn. For messages to CeDe. The Visit. On the wish list. Elaine (Samantha Robinson) ist eine wunderschöne, junge Hexe, die sich nichts sehnlicher wünscht, als wirklich geliebt zu werden. Um ihren Traum wahr. Besetzung und Stab von The Love Witch, Regisseur: Anna Biller. Besetzung: Samantha Robinson (I), Elle Evans, Jeffrey Vincent Parise, Robert Michael. - Erkunde Anais Marie Golders Pinnwand „The Love Witch“ auf Pinterest. Weitere Ideen zu Hexe make-up, 70er jahre make-up, Alphonse mucha​. Deine Wo Kann Man Naruto Gucken. Um ihren Traum wahr werden zu lassen, kreiert sie in ihrem gotisch-viktorianischem Apartment allerlei Zaubersprüche und magische Getränke, die sie dann Männern verabreicht, nachdem sie diese mit ihren weiblichen Reizen in ihre Wohnung gelockt hat. David Mullen. Als Trish den Ring zurückgeben will, ist Elaine nicht in ihrer Wohnung. September auf dem Internationalen Filmfest Oldenburg statt. For messages to CeDe. Auf einer Zeremonie ihrer Hexengemeinde führen die beiden eine Scheinhochzeit durch. S-Bahn 13 Köln Flughafen Fahrplan Neon Demon. Als sie sich mit Elaine bei einer erneuten Teestunde über ihren Verlust beklagt, erklärt ihr diese, sie habe ihre Liebe gefunden und zeigt ihr einen Ring, Pocahontas Ganzer Film Deutsch ihr Griff geschenkt hat. Elaine begräbt ihn zusammen mit einer Hexenflaschedie sie mit ihrem Urin und einem gebrauchten Tampon füllt. Unterdessen untersucht die Polizei den Tod von Wayne. Vormerken Ignorieren Zur Liste Kommentieren. American Independent Film Awards [8]. Als Elaine zurückkehrt, versucht sie Trish umzubringen, die sich wehrt und zusammen mit einer Voodoo -Puppe von Meghan Markel fliehen kann. Ironman 1 Stream questions, tips, praise Kino Hückelhoven criticism?

The Love Witch is the story of Elaine, a placid young woman searching for love in ways that go horribly wrong her love spells have a pesky tendency to turn fatal.

While clearly a work of fiction, the film depicts the occult in a way that feels lived-in and accurate. I reached out to filmmaker Anna Biller to talk to her about her interest in the occult, her cinematic influences, gender polarity, and the odd cases of synchronicity that popped up during her production.

It really looked like you did your homework. Anna Biller: I tried to do the kind of research that someone would do if they were going to be initiated as a witch.

At one point, I thought of actually becoming an initiate! It was very time-consuming to do all that reading, and it took me a much longer time to write the script because I kept wanting to know more and needed more for the story.

Was there any particular occult tradition that you drew the most inspiration from, or were you inspired by a mix of different practices?

It was a little bit from multiple sources, but mainly it was Janet and Stewart Farrar, the Gardnerians , and a little bit of Alex Sanders.

Were you able to observe or take part of any rituals as part of your research for the movie? There are a lot of witches in Los Angeles, where I live, and I knew some witches already.

I also ended up casting a number of real witches as witches without realizing they were witches. I was just casting them to be extras in the coven scenes.

But it turns out that a lot of them were also actual practicing witches! One of the things that struck me about your film was the extraordinary set design.

The fact that one person wrote, shot, and designed this film boggles the mind. That was important to me, to get the design to feel occult. The idea was that her apartment was originally owned by another witch, so she would have dictated what the design would be.

There are people who have whole apothecaries in their houses! My house is full of stuff for art-making, so I made a lot of the art in the spirit which I always make stuff for my films.

It was really fun for me to make soaps, candles , little herb bags, voodoo dolls, and the rugs. That feels magical.

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Just leave us a message here and we will work on getting you verified. The Love Witch offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes.

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The film offers a brilliant spin on the genre's despicable gender politics, all the while relishing in the pleasures of its outmoded visual style.

Elena Lazic. A note-perfect parody of the British Technicolor horror films of the Sixties. Ed Potton. The Love Witch goes beyond camp, beyond pastiche; it ignites the pulpy surfaces of its tale and produces a smoke of bad-dream sexiness and scariness.

It's a B-movie with A-grade potency. Peter Bradshaw. The mix of am-dram solemnity, grand guignol and Terpsichorean time-tripping is hypnotic.

Nigel Andrews. Even in the film's most far-fetched moments, Biller has trenchant points to make about conservative, middle-class America's fear of female sexuality and the double standards that apply to men and women's romantic behaviour.

Geoffrey Macnab. This is not a potion fit for everyone, but for a select few, The Love Witch offers powerful magic. Barry Hertz.

This Technicolor witch story feels just right, with the humor and homages actually working well Emilie Black. The film is clearly fiercely personal and strikingly original, and Biller is every bit as dedicated to her passions and aesthetic as Wes Anderson.

Oscar Goff. A veritable orgy of sinful cinematic tropes, re-purposed and re-imagined for a new time by an artist working at the top of her game.

Matthew Lucas. Anna Biller is writer, director, producer, editor and costume designer of this highly stylised, witty horror, and this single-minded vision means we get a depth of richness I've rarely seen elsewhere.

Sarah Cartland. The Love Witch is sweet and provocative, proving an entertaining tribute to the films of the 60's and 70's, with fantastic performances and meticulous detail from multi-tasking director Anna Biller.

Harris Dang. Everything about The Love Witch is intoxicating - the look, the sexuality, and the straight-faced delivery that underscores the hilarious confluence of text and subtext in the witty screenplay.

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You may later unsubscribe. Create your account Already have an account? While some would use this examination to make Elaine a perfectly innocent character, Biller digs a bit deeper.

When we see Elaine at the beginning of the film she is already a murderer. Witchcraft is a way for Elaine to reclaim her power, to no longer be the victim, but to be the predatory figure herself.

It felt refreshing to have the darkness of love be turned into something so toxically cathartic. Biller wants to allow the witch to be a villain, but not just in a jaded woman kind of way.

Rather, she accomplishes this by showing how Elaine has been hungry for true love, yet also taught to fear attachment.